A link to my scholarly project The Tragedy of Revolution:
“A tragic understanding admits that revolution is subject to counter-revolution, that liberation is risking oppression.”
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Parallel site of the scholarly project The Tragedy of Revolution: https://tragedy-of-revolution.complit.lsa.umich.edu/
History
- September 2018 (3)
- August 2018 (4)
- July 2018 (1)
- June 2018 (2)
- May 2018 (4)
- April 2018 (6)
- March 2018 (2)
- February 2018 (3)
- January 2018 (4)
- December 2017 (4)
- November 2017 (4)
- October 2017 (1)
- September 2017 (3)
- August 2017 (5)
- July 2017 (4)
- June 2017 (5)
- May 2017 (2)
- April 2017 (3)
- March 2017 (2)
- February 2017 (2)
- January 2017 (3)
- December 2016 (5)
- November 2016 (4)
- October 2016 (5)
- September 2016 (4)
- August 2016 (5)
- July 2016 (4)
- June 2016 (7)
- May 2016 (1)
- April 2016 (4)
- March 2016 (4)
- February 2016 (7)
- January 2016 (5)
- December 2015 (6)
- November 2015 (4)
- October 2015 (4)
- September 2015 (3)
- August 2015 (7)
- July 2015 (4)
- June 2015 (5)
- May 2015 (15)
- April 2015 (6)
- March 2015 (7)
- February 2015 (8)
- January 2015 (5)
- December 2014 (12)
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Recent Posts
- Autumn songs
- Networks of civic friendship
- “Modernist Theory & Theater between the Tragic & the Melancholic”
- The listening self
- “Greek Democracy in Crisis or Stasis”
- Recent popular songs referencing classical music
- Are there any Greeks in this publication? (3)
- Goethe’s Mignon sings to Wilhelm Meister
- “What is trans-national about Greek American culture?”
- “Η ποίηση ως διαρκές γίγνεσθαι”
- “Η ελληνική ποιητική γενιά του 2000”: Mιά συνέντευξή μου στη ‘Βαβυλωνία’
- The tragedy of revolution is that liberation conspires with terror.
- Schubert as a Byronic hero
- The pianist-thinker
- “Neoliberal Austerity and Left Melancholy”
- Χρόνος, Χάυντν, Χάιντεγγερ
- Pirandello’s “Enrico IV,” a tragedy of refusal
- Listening for the zeibekiko dance
- Learning Greek
- Ubu Roi in the German concert hall, the Parisian arcades, and the White House
- The messianic critique of tragedy*
- The regular piano collaborator
- “Anarchism and Hellenism in Richard Wagner’s Revolutionary Cultural Politics (1848-52)”
- Theory in verse
- The spell of caprice No. 24
- Anti-Hellenism (2)
- Anti-Hellenism (1)
- Greek women poets on Greek myth
- Is serialism a classicism?
- Launching my research website “The Tragedy of Revolution”
- Three years of blogging about listening to music and poetry
- Friends promise each other to a shared future
- Contemplating and plotting
- Beyond resistance and resilience
- Modes of reading
- Κριτική για την νουβέλα του Μισέλ Φάις ‘Lady Cortisol’
- “Η ποιητική ως πολιτική θεωρία: Ήττα, απόγνωση και μελαγχολία στη μετεμφυλιακή αριστερή ποίηση”
- The agonistic politics of eris, stasis, polemos
- Collaborative listening
- The Friend and his Beloved
- Renouncing politics
- Are there any Greeks in this publication? (2)
- Are there any Greeks in this publication? (1)
- “Η αριστερή μελαγχολία στην ελληνική ποιητική γενιά του 2000”
- “Πώς μιλάμε για την καινούργια ελληνική ποίηση”
- Πώς *δεν* μιλάμε για την καινούργια ελληνική ποίηση
- The Greek poetry of austerity on German radio
- Friends making Music together (2)
- The Hebraic covenant of the civil religion and the Hellenic Arcadia of the civil culture
- Varieties of Hellenism
- How critical theory arrived in Greek writing through poetry
- A dialectic of contraries, rather than opposites, in four 2017 Greek poetry cycles
- “Η κρίση της ποίησης και η μελαγχολία της αριστεράς”
- Α melancholic ethic
- Melancholy as a mood of critique
- After the defeat of the Revolution
- Friends in opera
- On Not Talking to a Fellow Leftist Friend
- Τhe friend as internal condition of thought
- The care of the self as care of the “other self”
- The alienated philosopher: Adorno on Beethoven’s Missa Solemnis
- Deleuze’s concept of assemblage in Greek Studies
- Franz Liszt’s services to artistic sacralization
- The emergence of Listening as a practice in the early 19th century
- The concerto as ‘Bildungsroman’
- My auto-bibliographical trajectory [in Greek]
- The friend as teacher
- Composers on the operatic stage
- The imperial destiny of the Trojans
- A transatlantic communication between Greek and American poets
- “World Literature” as cultural institution and disciplinary regime
- The demonic control of Greek mothers over their sons
- On Jewish Modernity
- German Nazi views of the Greeks
- Left Melancholy and its poetry after the American elections
- Setting Cavafy to music
- The Melancholy of Resistance as Left Melancholy
- The “Oresteia” in film
- The “Oresteia” in music
- The centrality of music in German aesthetics
- Hellenism and eroticism in the French mélodie
- New Greek poetry after its crisis
- Letters to a young pianist
- The absence of the Greek novel from world literature
- Civic friendship
- Before and after Minimalism – a playlist
- Why does Greek criticism have a problem with translations of new Greek poetry?
- The erotic gaze of the piano player
- The Greek Generation of the 2000s and the politics of new European writing
- “Deus absconditus” and the emergence of modern radicalism (2)
- “Deus absconditus” and the emergence of modern radicalism (1)
- Leaving Plato’s cave for his studio (3)
- Leaving Plato’s cave for his studio (2)
- Leaving Plato’s cave for his studio (1)
- On killing a close friend
- “Αριστερή μελαγχολική ποίηση: Η ελληνική γενιά του 2000”
- From Michigan’s Cavafy Chair to Greece’s Cavafy heirs
- Left Melancholy after the Crisis of Revolution and Representation
- Mourning, Melancholy, Mood, Music Making
- Adding operatic voices, one at a time
- “The Faculty Meeting”
- Edward Said as Musical Thinker
- A Greek poetry of defiance at a time of Left intellectual refusal
- Is there a Greek “poetry of the crisis”?
- Collaborative teaching
- Listening to music as an ascesis of the self
- The music that friends make together
- The melancholy of the long-distance Greek acrobat
- Greek Poetry of the 2000s from Making an Object to Curating a Performance
- Greek poetry from the crisis of the 1990s to the autonomism of the 2000s
- A crisis of Greek poetry before the poetry of the Greek crisis
- The pianist as accompanist and as collaborator
- The codes that friends share
- Pianist Dr. Pantelis Polychronidis performs with the two top winners of an international voice competition
- The Counter-Revolutionary Politics of Autonomist Disengagement
- Notions of Left Defeat and Melancholy
- A funeral march for the Revolution
- Mood and performance in an assembled poets’ common
- Music making as a common of the Greek poets of the 2000s
- Composing a poets’ common
- The fate of the repeat in music and other arts
- Is there a score in this concert?
- Poets and thinkers reflect on the road to re-turn
- Writing to a friend
- Singing from the Alpheus to the Danube
- Reflections as variations
- The Greek poetry of intermittent insurgency
- Melancholy science, poetry, and music
- Left melancholy as a poetic technique of reflective engagement
- Left Melancholy Poetry: The Greek Generation of the 2000’s
- Leftist Affective Attachments
- Cruel Optimism about the Left in Power
- Musical synergy
- Admiring our Friends
- A Conversation that Never Stops
- Whistling Brahms
- A ballad to incompletion
- Performing the Revolution
- Lyrical Heroism as Antidote to Left Melancholy
- Greek Poetry and the Revolution in the 2000s
- Compromises of the Left
- After the Event
- Does the Left fail to Govern?
- The Critical Potency of Despair
- Commemorating Defeat
- Listening to the singing voice
- Transcriptions in Piano and Poetry
- “Ten Reasons Why You Should Drop Everything and Read Cavafy Right Now”
- “From Left Melancholy to Anarchist Despair” [essay in Greek]
- On not Talking to a Close Friend (3)
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