Tag Archives: Brahms

Taking favorite solo sections out of their piano concertos

Listening to the opening movement of the Brahms 1st piano concerto I am reminded of the great number of splendid solo passages that can be found in concertos of this kind.  Such passages may be the opening of the piece, … Continue reading

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On lateness in listening: From late style to late mood

The scholarly symposium “Late Style and the Idea of the Summative Work in Bach and Beethoven,” taking place this month at the Department of Music & Dance in the University of Massachusetts-Amherst, inspired me to return to a particular aspect … Continue reading

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Collaborative listening

The major Modernist auditory regime was Adorno’s “structural hearing” where the expert listener “understands what he perceives as necessary” (Introduction to the Sociology of Music [1976], 4-5) while the great work is listening to its fallen singularity. Composers, performers, and … Continue reading

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