Tag Archives: Byron

Schubert as a Byronic hero

Every time I start listening to Schubert’s Quartet No. 14, “Death and the Maiden” (1824), its opening fortissimo octaves stop me on my tracks: Did I really just hear that? And that is only the start! The tremendous, relentless contrasts … Continue reading

Posted in Classical Music, Literature, Melancholy | Tagged ,

Α melancholic ethic

In all kinds of work associated with Robert Schumann a ruminating protagonist draws on melancholy as an ascesis of affect to practice a post-classical critique of repetition and identity. We see this role everywhere, from the Byronic unrepentant hero in … Continue reading

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