For some ten years now, I have been writing broadly and systematically about the affirmative politics of melancholy as radical critique. My writings have been appearing in print, οn my online work-in-progress, on my blog, and on my Facebook page, and they are often illustrated with the same Caspar David Friedrich painting of revolutionary fraternity that I use on both my blog and Facebook wall. Thus, when I saw in November an advertisement for a new book with the same topic and the same illustration, I promptly wrote to the two authors, Dartmouth faculty George Edmondson and Klaus Mladek, asking them whether they were familiar with my research. Two months have passed, and I have yet to hear from them. Their silence makes the coincidence of both topic and illustration look peculiar.
Piano Poetry Pantelis Politics 