Category Archives: Music

Modes of reading

The more familiar a piece of music, the more I am fascinated by the interpretive claims made on it by the musicologist, the performer, the listener, the recording engineer, the advertiser, the anthologist and many others involved in its circulation. … Continue reading

Posted in Classical Music, Literature

Collaborative listening

The major Modernist auditory regime was Adorno’s “structural hearing” where the expert listener “understands what he perceives as necessary” (Introduction to the Sociology of Music [1976], 4-5) while the great work is listening to its fallen singularity. Composers, performers, and … Continue reading

Posted in Collaboration, Friends, Listening | Tagged

The Friend and his Beloved

When a close friend talks to me about love in their lives, the world is suspended, and for a while nothing else matters. Pantelis often talks to me with melodic tenderness about the woman of his dreams. He describes her … Continue reading

Posted in Friends, Music

Friends making Music together (2)

Dr. Pantelis Polychronidis is a consummate collaborative pianist: He does not accompany fellow musicians but actively works with them to create new music, unique compositions that have not been heard before. This is especially evident in his meticulous work with … Continue reading

Posted in Classical Music, Collaboration

Α melancholic ethic

In all kinds of work associated with Robert Schumann a ruminating protagonist draws on melancholy as an ascesis of affect to practice a post-classical critique of repetition and identity. We see this role everywhere, from the Byronic unrepentant hero in … Continue reading

Posted in Classical Music, Melancholy | Tagged , , ,

Τhe friend as internal condition of thought

The friend is not an external circumstance but an internal presupposition of all thought as such. This friend, the “other self,” is a philosophical and political condition of thought: He is not the second piano but the second pair of … Continue reading

Posted in Attunement, Friends, Piano | Tagged

The care of the self as care of the “other self”

What is the meaning of Aristotle’s notion of the friend as an “other self”? An etho-centric (as opposed to ego-centric) understanding of the notion, one centered on character, posits that the highest friendship is based on the friend’s valuable traits … Continue reading

Posted in Classical Music, Friends, General